PDF Download The Hamilton Sketchbook
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The Hamilton Sketchbook
PDF Download The Hamilton Sketchbook
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Review
"A glimpse into one person's vulnerable and unpretentious attempt to transcend his personal limitations." --Quill & Quire
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From the Publisher
As eccentric, diverting, curious, wry and compassionate in life as in his work, David Collier has brought his 20 years experience crisscrossing Canada to his books. Fascinated by forgotten people and kooky stories, Collier regularly drives cross-country to track down research and the "dish" on some Canadian lore. His work reflects a uniquely Canadian mix of wide-eyed whimsy and prairie-frozen wit. Born in Windsor, Ontario in 1963, David Collier's first strip was published in Robert Crumb's Weirdo when he was 23. His strips have appeared in various newspapers, magazines, and anthologies including Zero Zero and Drawn & Quarterly, but they have since been collected in two Drawn & Quarterly volumes. 1998 saw Just the Facts: A Decade of Comics Essays, followed in 2001 by Portraits From Life. David Collier has lived nearly everywhere across Canada but now calls Hamilton, Ontario home where he lives with his wife and young son.
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Product details
Paperback: 160 pages
Publisher: Drawn and Quarterly; Gph edition (June 1, 2002)
Language: English
ISBN-10: 1896597483
ISBN-13: 978-1896597485
Product Dimensions:
8 x 0.5 x 1.2 inches
Shipping Weight: 15 ounces (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#646,356 in Books (See Top 100 in Books)
I had read Collier's earlier narrative works, JUST THE FACTS and PORTRAITS FROM LIFE. They are wonderful collections of visual essays.I was looking forward to reading THE HAMILTON SKETCHBOOKS as well. I was surprised. This was exactly what it said it was. A sketchbook. And, although the art is endearlingly clumsy and I laughed for days over one of the pictures, I was a little disappointed that he did not return to the essay form.It seems, with the publishing of the follow up to this book, THE FRANK RITZA PAPERS, a combination of one essay and another series of sketches, that Collier is at a crossroads. He seems to have become more fascinated with the anecdotal story and less with the narrative. Which is a nice thing, both books still have his reserved self-effacing Canadian sensibility, but all the same, he is so good at the narrative that I hope he returns to it.Regardless, I am looking forward to his next Drawn & Quarterly publication, whatever it might be.
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